Friday, July 13, 2007

How to get a dress that will help you dance


If you are like me, you don’t pose too many requirements on a normal evening gown. The only important thing is that it has to look good on you and maybe shouldn’t fall off while you’re walking from your car to the party and back. You’re happy as long as the dress survives past one or two special occasions. You won’t wear it more often than that, anyway.

With competition dress it’s completely different. You spend a large sum of money on the dress to start with. You will be taking it to every competition, putting it on and taking it off hastily, jumping, sweating and wiping your make up with it. And you will still expect to use it at least for one season and to look gorgeous in it whenever you get on the dance floor. Buying a ballroom dress is an important step and you don’t want to make mistakes here.
The problem finding the right ballroom dress is that not only it has to look good on you while you are standing in front of the mirror, but also it should help you look great while you are actually dancing. It means that:
a) The dress shouldn’t impede your movements during the dance

b) it should emphasize all your good sides: your dancing technique, your beautiful figure, and, whenever possible:

c) it should conceal your bad sides, (if any) such as weak techniques or figure flaws.

Of course no dress in the world can substitute hard training. However, by knowing your technique flaws you can get a dress that will partly disguise them. As a result – you will improve the overall impression of your dancing performance. Try choosing the dress that does the opposite – and you’ll see the difference.

In this article I tried to summarise common technique flaws and my suggestions on how to conceal them with the help of a gown:
Weak hip movementes is one of the usual problems among the dancers. This flaw can be easily solved by choosing an appropriate skirt. All you have to do is to say "no" to slinky skirts and choose fringe or flounce decorated skirts instead. An A-shaped skirt would create a nice waving impression around your hips/knees, improving the look of your hip movements. Another suggestion is to use some bright decorations on top, and thus drawing the audience’s attention from your bottom, however I’m not sure you can fool the judges with that!
Slouched spine:
This is mostly the problem of standard dances, as you constantly have to keep your spine right. If this is your problem then try to hide your spine with chiffon scarves attached to your neck or shoulder. You may even use several of those, so that instead of frowning at your slouched spine, the judges would see nice “wings” floating behind you.
For Latin dresses simply try to avoid gowns that expose mainly your back. In this case the attention is drawn to your spine automatically and this is not what you’d wish to do.

Weak frame:
Do you keep letting the hands and elbows down in standard? Again, the trick is the same. Try to conceal this lack of technique by getting your hands covered with layers of flimsy/floating fabric or wide sleeves.

Protruding bottom:
Another flaw that happens rather often in standard dances. In an effort of balancing your upper posture, smiling at the judges, and keeping in mind the dance steps you forget about the need to strain the bottom muscles and end up with your buttocks stuck out backwards. If you are still working on this - don’t choose the mermaid-like silhouettes, or any skirts made from one heavy layer of fabric (like satin). Such skirts will bring attention to your bottom automatically so even a small mistake gets visible. Instead opt for multi-layered floating skirts that would smooth your curves and conceal the problem.

And the last piece of advice for today:
If this is your first performance and your first dress – don’t leave it in the box until the day of the competition. Even if you felt great when trying the dress on and you are now afraid to stain it – test it together with your partner. You might discover that dancing feels different now that you are wearing the dress and that some steps or movements need adjustment. Again, for your first time – don’t choose skirts that are too long. If you don’t have enough experience you risk stepping on your own skirt during the competition. My suggestion is - choose a dress that has a skirt a bit above your ankles. For latin dresses – make sure you don’t wear long fringed or ripped skirts where you could get your hill entangled during the dance.

Summary: I believe that every lady can and should look best on her competition day. It’s a great experience and a huge incentive to move on. Even if you are not interested in a professional dancing career, you should take competitions seriously -you will see the results for yourself. I hope that using the above suggestions, you can make the most of your assets and do your absolute best on this important day of your dancing life.

Friday Evening Practice Party - July 13th 2007, 8:30

Practice sessions are an integral part of learning as much as your lessons!Nothing will get you to a comfortable social dance level more quickly than regular attendance at your practice sessions.This is the ideal place for you to test your new dance steps with various partners and situations that occur on the dance floor. you will have fun dancing and will gain new confidence.
We are looking forward to see you. You are very welcome to bring your friends!

Group Class, Friday July 13th 2007 - 7:45PM

Warren is going to teach Rumba;
All levels; No Partner needed;

Thursday, July 5, 2007

Group Class, Friday July 6th 2007 - 7:45PM

Warren is going to teach Mambo;
All levels; No Partner needed;

Friday Evening Practice Party - July 6thth 2007, 8:30

Practice sessions are an integral part of learning as much as your lessons!Nothing will get you to a comfortable social dance level more quickly than regular attendance at your practice sessions.This is the ideal place for you to test your new dance steps with various partners and situations that occur on the dance floor. you will have fun dancing and will gain new confidence.
We are looking forward to see you. You are very welcome to bring your friends!

Blackpool 2007


By Armando Martin, former International & US Champion and the current Fred Astaire National Dance Director


Blackpool, England is not a very nice place to vacation, having been built in the 20s and 30s and having had very little done to it since. It is a place that takes us back into time in a way that does not remind us of history or great architecture or beauty of any kind.

The very best food you can find in the entire town is Pizza and Fish & Chips. Order anything else at a local restaurant and you may be taking your taste buds to places they have never gone before!

When I arrived there on Wednesday after a 14-year absence, absolutely nothing had changed. I stayed at the very famous Imperial Hotel, which at one time hosted the English Royals. My room was so small I had to open the window to create some ventilation and to avoid feeling claustrophobic. My view was of a 100-year old alley, which housed tons of doves taking cover from the rain and cold.

So, after leaving my window open once, I returned to my room to find the birds and some presents they left me on my bed, chair, floor, etc. I had left my bathroom door open but they decided not to use it. Nice, ha?

Than I decided, after getting all settled in the Hotel, to go to the Winter Gardens where all the dancing happens. Walking in, listening to the music and watching the couples throwing themselves across the floor creating great shapes and superb rhythmical actions with their feet, bodies, and souls, I remembered why we all go to Blackpool - to watch the best dancers in the world battle it out for the most coveted tittles in DanceSport, the British Open.

Being there also brought me back to my youth, when Laura and I were one of those couples, trying to make a name for ourselves on an International dancing stage. It reminded me of all the hard work and sacrifices that all these kids have to make to get there, with no guarantee of success, but only the hope that some of the judges recognize their talents and continue to put them into the next round, then the next, then the next. Laura and I were one of those lucky couples to have made it onto the Blackpool dance floor with only 5 other couples. That meant that we had made the final and that we had reached the top of the mountain in DanceSport. That feeling was worth all that we had sacrificed to get there.

This year's Blackpool was no exception, mostly disappointed couples and a very few happy ones returned home after nine days of dancing. The people that have to be the most disappointed is the US and the US Team Match team. In the Team Match event, the US sends their very best dancers (2 Latin couples and 2 Standard couples) to dance against 3 other teams; three judges judge the event and, on this particular night, the politics and ironies of judging DanceSport were very obvious. The US had on paper the very best team in the competition - 2 world finalists in Latin and the same in Standard. By far the strongest team in the Team Match competition, they managed to finish LAST! How did that happen? Well, that's Blackpool.

Our Fred Astaire couples were a little unlucky too. Eric Luna and Georgia Ambarian, with their sharp and strong dance styles, were only able to get a fourth place in the Cabaret, a style that is usually dominated by the US. In the Latin, we had Gabi and Vlady and Warren and Babette from Jupiter and Ilya and Nadia from Montville; all of these couples did not go as far as they should have, especially Ilya and Nadia who were in the Rising Star Latin Final last year. Tina and Plumen from the East Side NY studio went on to dance the 48 which they were very happy about.

The Amateur Latin featured a very strong field, and our TOP couple Eugene and Maria were disappointed to end up in 4th place since last year they were runners up in that category.

The Pro Latin was won by Brian and Carmen who retired that night to a very appreciative audience. Also making the finals in two dances were Max Kozhevnikov and Yulia Zagoruychenko from the US. This is a great achievement for a US couple; it has not been done in many years. Andre Gavriline and Elena Kryuchkova made the Semifinals in all the Latin dances - also a great feat for them and the US.

The Standard had a lot of good US couples. The eventual winners were Mirko Gozzoli and Alessia Betti from Italy. Jonathan Wilkie and Katusha Demidova from the US came in 2nd, which is by far the best that a US couple has done in that category. Also making the finals in 3 dances was Victor Fung and Anna Mikhed from the US. These couples are the epitome of class and great quality Standard dancing and everyone in the US should be very proud to be represented by them.

Over all it was a great week for the US and another exciting British Open Festival. I personally look forward to going back there again in 14 years.
Labels: Fred Astaire Dance Studios